The liner notes for both Jewish and gypsy albums typically describe the music as reflecting the intense sorrows and joys of the people. In each case there are the usual indicators of passion: tempo changes, violins, dancing. Another cliché is the mixture of the old and the new, the traditional and the modern, the historic and the hip. Philadelphian, Cantor's daughter Bas Sheva recorded at least two very dramatic and enigmatic 10" albums for Capitol. Soul of a People, with Harold Mooney, is six Hebraic chants, while The Passions, with Les Baxter, is as strange as anything by Leda Annest or Yma Sumac. Now for the fun part -- that Latin beat. The rumba, mambo, cha cha cha, pachanga, and even the twist all made their way north from New York City to the vacation resorts of the Catskills. And so, Cuban rhythms, with their origins in Africa, met their melodic neighbor from other parts of the Mediterranean and beyond. And in Perez Prado's Hava Nagila--twist, you have it all. |
Rating | |
6 | Marty Gale: Sexy Stories with a Yiddisha Flavor; Cari-Gale 1 (comedy) |
6 | Marty Gale: More Sexy Stories with a Yiddisha Flavor; Cari-Gale 3 (comedy) |
5 | Joel Grey: Songs My Father Taught Me; Capitol ST-2755 |
6 | Bas Sheva: Soul of a People; Capitol L-8287 (re: W-1451) |
Rating | |
6 | The Feenjon Group: Recorded Live at Cafe Feenjon; Fran FRS-106; 1966 |
5 | The Feenjon Group: The Feenjon Goes Greek; Monitor MFS-482 |
6 | The Feenjon Group: Jerusalem of Gold; Monitor MFS-488 |
6 | The Feenjon Group: An Evening at the Cafe Feenjon; Monitor MFS-497 |
9 | Hilo Hattie at the Hawaiian Village ("Becky"); Paradise HH-100 |
8 | Ruth Wallis: How to Stay Sexy Tho' Married ("Marriage Jewish Style"); Mercury SR-61210 |
Rating | |
6 | Juan Calle & his Latin Lantzmen: Mazeltov, Mis Amigos; Riverside RLP-97510; 1961 |
7 | Johnny Conquet: Raisins & Almonds Cha Cha Cha & Merengues; RCA Victor; LSP-1789; 1958 |
6 | Irving Fields Trio: Lox, Latin, & Bongos; King 742 |
3 | Irving Fields Trio: Bagels & Bongos; Decca DL-78856 |
3 | Irving Fields Trio: More Bagels & Bongos; Decca DL-74114 |
4 | Sy Menchin & his Steven Scott Orchestra: My Bubba & Zaedas Cha Cha Cha; Apollo LPS-5491 |
Rating | |
-» | The Barry Sisters |
7 | Jack "Bongo" Burger: The End on Bongos; HIFI R-804 (bongos/Latin jazz/exotica/Yiddish-Latin ("A Yiddisha Mambo"); reissued w/photo jacket) |
5 | Jack Costanzo: Mr. Bongo Has Brass ("Bei Mir Bist du Schoen"); Zephyr ZP-12003G |
-» | Mickey Katz |
6 | Machito: Mi Amigo, Machito; Tico SLP-1053 ("Israeli Sha Sha Sha") |
3 | Hazy Osterwald Sextet: Latin Trumpet; Polydor 46354-LP11Y ("My Yiddishe Momme") |
8 | Perez Prado: Twist Goes Latin; RCA Victor; 1962 ("Hava Nagila") |
5 | Edmundo Ros: The New Rhythms of the South; London SP-44054 ("Latin Shalom") |
7 | Pete Terrace: Dance Percussion Around the World Cha Cha Cha; Strand SLS-1032 (Latin/Latin jazz; "Hava Cha Cha") |
7 | Rene Touzet & the Cha-Cha-Cha Rhythm Boys: "88" Below the Border; Fiesta FLP-1208 ("La Hora") |
6 | Rene Touzet & the Cha Cha Rhythm Boys: Cha Cha Cha-Mamabo-Merengue; Fiesta FLP-1263 |
Rating | |
7 | The Four Ayalons: Sing Along with Israel; ATE SAC-633; 1962 (Algon Theatrical Enterprises, Inc.) |
7 | Lou Klayman: Twistin' the Freilachs; Sonodor SON-104 |
7 | The Temples: Bei Mir Twist du Schoen |
Rating | |
6 | Patsy Abbott/Ben Jaffe: Yiddish Songs Mama Never Taught Me; Roulette SR-25267 |
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Hyp Records Guide © 1996 Hip Wax