The music of Rapanui (Easter Island), as with its original language and culture, remains a source of great mystery. The remnants and permutations that have survived European contact show that the lost, traditional Rapanui music is now irretrievably mixed with its later influences. What once was a unique Polynesian music now is sung with guitars and a distinctly Chilean flavor. No significant instruments survive, only fairly recent recordings. We may never know whether a great music, perhaps musical rites for the Birdman Cult, ever emerged on the island. Buying: To start a collection of Easter Island records, the advice can be only: and and all. |
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5 | Claude Jannel (rec.): The Easter Island; Arion; 1976 (Italy; Peters International FARN-91040) |
7 | Jorge di Lauro: Isla de Pascua ST; Odeon "Serie Estelar" LDC-36547; 1965 (Chile; 2-LP) |
7 | Margot Loyola y Conjunto Pascuense: Isla de Pascua; RCA Victor Chile CML-2096; 1966 |
6 | Various: Taraina; IRT LPVE-6525; 1972 (Chile) |
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![]() As one of the original Seven Wonders of the World, Easter Island has long been a subject of fascination. The initial mysteries, most having to do with the carving, transportation, and erection of the colossal stone Moai statues, are more or less solved. But with its unique history and other, compelling native art, the enigmatic Rapa Nui still has much to offer. In addition, some scientists consider it a rare microcosm: its drastic, historical failures foretelling planetary demise at the hands of man. |
Other Mysteries of Rapa Nui![]() |
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